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Number One: A Novel. Number One Fan. Number One Pick. Number One: The Funeral Photographer. I read this as an emphasis of mind and world meeting, and human epistemology in Burnside. This, to Haar, shows the world or heart that the human neither inhabits nor possesses forwarding only presentiment and will, not fusion or ownership. I return to this debate by example of TLT in chapter five.
Bristow 65 Reading across Heidegger to fully understand his analysis here, one recalls that the subject has to open up to a path which is delivered by understanding Being , This facticity, echoed in Ingold Perception and James Principles , is understood when being is open to reception; it is not fitting sensations to categories that lead to judgment Kant.
This is one of many examples where the relationship does not begin with body for mind delivers this comportment, but it is a strained evocative that must entangle itself within its own problematic of reconnaissance. Apartness and Techne Theorizing the epistemological and ethical implications of the precedence of nature to culture is the challenge laid open in the ecocritical turn.
For Rigby, this is enabled by physis: Does this address and its intellectual domain historically formulated as a discourse upon the relationship between immanence and transcendence offer the right context to initiate an analysis of contemporary poetry? This concept signifies neither blood nor inheritance but responsibility and care for a place whether one is native or not: It becomes apparent that some form of exile, or in Deleuzean parlance, deterritorialisation, is intrinsic to dwelling.
We learn that the precondition to modern dwelling is exile Haar Song However, it is of value to read the original text signalling a theory of history as a process where control or order of land can be undone while additionally signifying a vector of weakened ties or loosened points of relation between culture and nature, people and place. Crucial ethics are delineated here. I remind the reader of my extrapolation upon the thesis epigraph above. To read deterritorialization not solely in its relative sense but accompanied by reterritorialization signifying both historical cycles and conjunction with its absolute would lead to the construction of two elements.
Deleuze explicitly recalls Fichte and Romantic notions of progress and purposiveness Immanence 27 while offering a delineation of the concept of immanence as a non-dualist collapse of distinctions into plural monism or univocal envelopment of life. The abstract and conceptual view on the openness of being embedded within networks of relations develops pantheism into a conceptual site where the Cabbalistic contraction of the infinite foregrounds events and process as forces against inscribed relations; this could lead us full-circle to Bloom.
However, the influence of Bateson can be read within the notion of the nature of mankind in the universe expressed in post-structuralist terms: I have spoken of this as the paradox of the ecological-metaphysical metanarrative; i.
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Moreover, it affords the poetic de- realization of things into singularities the philosophical gravity of seeing the world for the first time within new contexts. As such it reads equivalence between the precondition of the earth for human life and the precondition of exile for human settlement, which in turn outlines the need for the world to be rediscovered rather than inherited; a model of thought where learning and reinhabitation displace notions of pre determinism and inheritance: It thus provides an exciting counter statement to misprisioned Heideggerian politics of soil in addition to resonating with the deconstruction of grammatical models of origin and institutions of power.
As such, my engagement with Deleuze and his revisions to psychoanalysis terminates. This delineation of a poetic space sounds viable and ethical. I reach an ontological dead end with negative poetic theory where a reading of silence or poetic relinquishment equates to Wittgensteinian silence.
I find silence and non-meaning communicating significance. Burnside envisions these within his poetics of reconnection: It carries the sense of mourning that the perception of world and the divine within begins with acknowledgement that they are concealed by the logos Poetry but that we are impelled to uncover it and sing it into existence: The poetic study of the exchanges between physical ecology and mental ecology installs a three-fold dimension into time: Memory offers more than the instantaneous; it allows Burnside to consider consciousness in relation to the universe and by which its distinctions are artificial.
Hegel asserts that Romantic art fails to live up to the aesthetic ideal because its spiritual content outstrips its material means and thus always indicates something beyond itself that art cannot attain Hegel ; Rigby, Topographies The Romantic is both anti-systematic and oriented critically toward the limits of knowledge. Moving close to my position, this aesthetic is evaluated as enabling a continuity of mind and nature with the recognition of the limits of knowledge, in turn eluding human reductionism.
For Burnside, nature resonates with and alludes to the metaphysical but will not distil to singularity other than within a concrete and rational concept, that of ecology, as thus it is speakable and fathomable to a greater degree than in high Romanticism. It is the reduced ego, diluted anthropocentricism, and a lack of determinism; what Heidegger terms gelassenheit: This negative stance extends into the reading of various texts: This is to embrace the Romantic resistance to severing nature from science and matter from spirit within a redemptive ethos As such, it negotiates a critique outlining the use of negative poetics as a means of sustaining the German elevation of the ideal over the real.
Naming, for Rigby, is the obliteration of singularities as a method of enframing; it is not a form of disclosure. Princeton UP, ; also Stanley M.
Yale UP, , and pt. Bristow 77 incompatibility with reading Moynihan Hart misreads de Man twice. This dichotomy is bad ground for the author of Topographies as it over-determines the thesis on negative poetics. The poet of permanence desires the eternal as knowable whereas the poet of becoming is aware of this failure and intends it.
I need to bridge these positons. We return here to the correlation between rational mind and systematized world the problem of language use within the domain of knowledge and reason , and the possibility within this process to uncover a secret living organism outside the mind content. The Modernist extension of this -- to unconceal fragile and shifting allotropic and phenomenological states -- clarifies the contemporary.
Lawrence, Burnside translates temporal ecstasies relating to the ineffable into the essentialism of the soul-in-flux and the intertwining of faith and doubt. There is always a place on the way where the path curls into the dark, into the smell of dust and the stillness of nettles.
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The darkness promotes neither morose nor dangerous undertones, but growth from nothing Stevens. As a means to focus on the micro, at this phase in his poetry which is attempting to escape the self and enter world, the expansive lines of co-extension of TAD are quite distant in the recoiling lines of this collection.
As a signpost toward this position, Bate argues that the poem does not claim truth in-and-of itself but that it communicates the figural as figural: The poet is often more vagrant than dweller, for he finds his home in the logos and not in the oikos.
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